Icon of Christ Pantocrator. 15.5 x 20.5 cm. Presumably of the 19th century. Presented as a gift on 31 May 2019 by Tvanba Astanda and Benia Roksana.

1. The icon of the “Crucifixion of Christ.” 22.5 × 30 cm. Chromolithography. 2. The icon of the Mother of God “Iverskaya”. 1893, 22.5 × 28 cm. Chromolithography by E. I. Fesenko, Odessa. 3. The “Cathedral of the Venerebales …” icon (the end of the title is not readable). 14×18cm. Chromolithography glued on a wooden board.

1. Icon of the Theotokos of Tolga in a frame and kiot. 38.5 × 42.5 cm. Presumably 19 century. 2. “The Agony of Christ in the Garden” icon. 25×41 cm. Presumably 19 century.  

1. Icon of St. Great Martyr George and St. Alexius in a frame. 27×31.5 cm. Presumably 19 century. It was donated by Gennady Georgievich Chedia on 17 July, 2012. 2. Icon of St. Great martyr and healer Panteleimon. 22.05 × 27 cm. Presumably the end of the 19th and the beginning of the 20th centuries. On the back side of the icon there is a seal of the New Athos

1. Icon with the image of Edessa and four images of the Virgin with the baby Christ (Kazan, Petrovsky, Korsunskaya and Igorevskaya). 38х46 cm. It was donated by Rauf Alekseevich Azhiba on 27 September, 2012. 2. Icon with images of the Tikhvin and Iverian icons of Our Lady, St. Alexander Nevsky, Holy Trinity, St. martyr John the Warrior, St. Elijah the Prophet. 46×53 cm. Presumably the 19th century. 3. Icon

Icons of St. Nicholas, Archbishop of Myra from the collection of the Church and Archaeological Museum of HMA.   1. Icon of St. Nicholas. 39х44 cm. Presumably 18-19 centuries. 2. Icon of St. Nicholas in the kiot. 31×37 cm. Presumably 19-20 centuries. 3. Icon of St. Nicholas in the kiot. 26×31 cm. Presumably 19 century. 4. Icon of St. Nicholas in the frame and kiot. 30×34 cm. Presumably 19 century.

1. Icon of the Mother of God “Semistrelnitsa”. 24.5×31 cm. Presumably 19th century. Donated by Adgur Kharzalia on 3 August, 2012. 2. Icon of the Mother of God “Vladimirskaya”. 28.5×35 cm. Presumably 19th century. It was donated by Denis Kvarchia on August 5, 2012. 3. Icon of the Mother of God “Jerusalem”. 29×35 cm. Presumably 19th century. 4. Icon of the Mother of God. 23×31 cm. Presumably 19th century. In

1. Icon of Christ the Savior in the frame and kiot. 31.5×43 cm. Presumably 19th century. 2. Icon of Christ the Savior in the frame and kiot. 35×39 cm. Presumably 19th century. 3. Icon of Christ the Savior in the frame and kiot. Presumably 19th century. Size: 22 × 26 cm. Material – wood, brass. Size of kiot: 37 × 30 cm. Material – wood, glass. Transferred to the Church-Archaeological

33 icons, painted by iconographer, hieromonk Andrey (Ampar) from 1996 to 1999. These icons are in various churches and monasteries of Russia, as well as in private collections. The style of painting is Byzantine.’ The Fund of the Church-Archaeological Museum of HMA has photographic images of these icons. Description of the icons: 1. Icon of the holy martyr and healer Panteleimon (gold leaf, silver, precious stones) with a Greek inscription.

Iconographic sketches. Student works of hieromonk Andrey (Ampar):   1. Prophet Moses. 20 x 36 cm. 1995 2. The Holy Apostle Paul. 25 x 35 cm. 1995 3. St. Nicholas. 12.5 x 17 cm. 1995 4. Face. 12.5 x 17 cm. 1995 5. The Holy Apostle Simon the Canaanite (with inscription in the Abkhaz language). 8 x 12.5 cm.    

  Icon of St. Nicholas Bishop of Myra (Asia Minor) in a metal cover. Presumably, the beginning of XX century. Size-14×17.5 cm. A glued chromolithography with the image of St. Nicholas on the icon.   The icon was donated to the Church and Archaeological Museum of HMA on 7 May 2017, by parishioner of the New Athos Monastery, Astanda Tarba.  

The construction of the central cathedral of the New Athos monastery was started on 24 September, 1888. The cathedral was consecrated on 29 September, 1900. The central altar was consecrated in honor of St. Great Martyr and Healer Panteleimon.   A huge iconostasis with painted icons, completely covered with gold leaf was made and installed in the central aisle of the cathedral. Large icons in silver frames were placed in